"Let there be perception," was evolution's proclamation, and so it was that all creatures, from honeybees to humans, came to see the world not as it is, but as was most useful. This uncomfortable place -- where what an organism's brain sees diverges from what is actually out there -- is what Beau Lotto and his team at Lottolab are exploring through their dazzling art-sci experiments and public illusions. Their Bee Matrix installation, for example, places a live bee in a transparent enclosure where gallerygoers may watch it seek nectar in a virtual meadow of luminous Plexiglas flowers. (Bees, Lotto will tell you, see colors much like we humans do.) The data captured isn't just discarded, either: it's put to good use in probing scientific papers, and sometimes in more exhibits.

Outside the studio work, the brain-like (that is, multidisciplinary) organization is also branching out to bigger public engagement works. It's holding regular "synesthetic workshops" where kids and adults make "color scores" -- abstract paintings that computers interpret into music, as with scrolls fed to a player piano. And lately they're planning an outdoor walkway of color-lit, pressure-sensitive John Conway-esque tiles that react and evolve according to foot traffic. These and Lotto's other conjurings are slowly, charmingly bending the science of perception -- and our perceptions of what science can be.

Lotto teaches at University College London.